经常听到黄梅戏观众及黄梅戏工作者谈论一个问题:希望能涌现出唱得好的男演员。所谓唱得好,当然主要是指韵味、音色、音高等几个主要方面。从黄梅戏发展的各个时期(包括现阶段)来看,也出现过这几方面兼备的男演员,但为数远不如女演员多。原因是多方面的,最主要的一条,就是男唱腔的音域太高,以1=C来计算,最高音要到小字二组的2,与京剧小生的嘎调几乎同高,也超过了西洋歌剧男高音的音 Often heard Huangmei spectators and Huangmei opera workers to talk about a problem: hoping to emerge to sing a good actor. The so-called singing, of course, mainly refers to the charm, tone, pitch and several other major aspects. Judging from the various stages of the development of the Huangmei opera (including the present stage), there are also many male actors in these areas, but the number is far less than the number of actresses. The reason is multifaceted, the most important one is that the vocal range of the male singing is too high, calculated by 1 = C. The highest pitch is to the small group of 2, which is almost the same as that of the Peking Opera, Opera tenor sound