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中国的绘画史,主要可以说是中国的山水画史,这是毫无疑义的。如果将中国山水画按时间的次序,我们历数从两晋南北朝的草创,继而隋唐的初具气象,及至五代而宋元,高峰耸立、巨匠迭出。中国古典山水画的生命精神和人文品性以及基本图式由此奠定。转至明清,中国山水画如同从高山峡谷中奔腾而下的激流,陡然温柔了许多,在桃花源的柳岸花明中越发显得明丽多彩。只要看看明末清初数不清的流派和个人画风的争奇斗艳,就可见一斑。中国山水画犹如太极图中的阴阳鱼,按照千年的文化道统圈子自给自
There is no doubt that the history of Chinese painting can mainly be described as the history of landscape painting in China. If the order of Chinese landscape painting by time, we count the grass from the Jin and Southern and Northern Dynasties, Sui and Tang Dynasties followed by the beginning of the meteorological, and up to the Five Dynasties and the Song and Yuan Dynasties, the peak stands, masterpieces. The life spirit and humanistic character of Chinese classical landscape painting and the basic schema are laid down. Go to the Ming and Qing Dynasties, Chinese landscape paintings like the torrent from Peninsula alpine gorge, suddenly a lot of gentle, more beautiful in the Peach Blossom Spring Willow more colorful. Just look at the countless genres and personal styles of contests, as you can see. Chinese landscape painting is like the yin-yang fish in the tai chi chart, self-sufficiency in the circle of millennial culture