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从粉碎“四人帮”之后到1990年的十多年里,京剧舞台上演出了数以千百计的新编剧目(包括古代戏、神话戏、现代戏等)。这些剧目的质量尽管参差不齐,其舞台生命也有长有短,但从总体上看,有着鲜明的时代特征,体现出随着时代的发展,京别工作者的不断进取和执著追求,从而使得京剧艺术在某些方面有着比以往任何一个历史时期都更明显的突破,取得了更显著的成就。要想全面评述新时期以来京剧新剧目的成就,非是本文的任务,更不是我力所能及
From the smashing of the “gang of four” to more than a decade in 1990, hundreds of new plays (including ancient drama, mythical drama, modern drama, etc.) were performed on the stage of the Beijing Opera. Although the quality of these plays is uneven and their life on the stage is short and long, on the whole, they have distinctive characteristics of the times and reflect that with the development of the times, the progressive and persistent pursuit of the workers in Beijing has made In some respects, Peking opera art has made a breakthrough that has been more obvious than ever in any historical period and has achieved even more remarkable achievements. It is not the task of this article to fully review the achievements of the new Beijing opera since the new period,