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中国新时期文学在改革开放的大潮中 ,以强劲的势头突破了“文革”时期把文学作为政治工具的束缚 ,在文艺形式上进行了大胆的尝试 ,取得了一定的成绩。然而 ,从 2 0世纪 80年代末开始 ,随着后新潮小说的出现 ,形式主义浪潮开始对传统的现实主义创作方法进行全面的颠覆。他们提出的“原始态”、“零度情感”、“自然人”、“本能主义”、“陌生化”和“语言崇拜”等原则已经使文学创作从一个极端走向了另一个极端。
In the tide of reform and opening up, Chinese literature in the new period broke through the shackles of using literature as a political instrument during the “Cultural Revolution” and made some bold attempts in literary and art forms with some achievements. However, with the advent of post-trendy novels since the late 1980s, the wave of formalism has begun to completely subvert the traditional methods of realist writing. The principles of “primitive state”, “zero-degree emotion”, “natural person”, “instinct”, “defamiliarization” and “language worship” have made literary creation from one extreme to another extreme.