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自20世纪初西学东渐以来,中国画创作出现了复杂多元的态势。大体上出现了三种创作倾向,一派是中西融合派,在西方传统绘画艺术的影响下,主张“中西融合”的“以西润中”的理念,当以徐悲鸿为代表;一派是固守传统派,他们从古代传统艺术作品中汲取丰富的营养,以齐白石、黄宾虹为代表;第三种是中国绘画现代派,他们立足于本土的笔墨语言,结合西方现代艺术的观念,成为传统艺术裂变的革新者,以林风眠为代表。1980
Since the beginning of Western learning in the early 20th century, there has been a complex and diverse trend in the creation of Chinese paintings. In general, there are three kinds of creative tendencies. One is the fusion of Chinese and western cultures. Under the influence of Western traditional painting art, the idea of “running toward the west from the west” is advocated. When one is represented by Xu Beihong They stick to the traditional school. They draw rich nutrition from the ancient traditional works of art, represented by Qi Baishi and Huang Binhong. The third is the Chinese painting modernists who are based on the local language of pen and ink and combined with the concept of western modern art to become traditional art Fission innovator, represented by Lin Fengmian. 1980