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以充分体认舞台的“假定性”为前提的小剧场戏剧,是对“模仿、制造生活幻觉”为特征的传统舞台艺术的深刻变革。本文从“现场、虚拟与时空的扭曲和颠覆”、“肢体、意象与语言的放逐和戏仿”、“意象、拼接与舞台的错位和抽象”等三个层面,对当代小剧场艺术探索的焦点问题进行了认真回顾和理性反思,以期给当前小剧场戏剧的发展以启迪和争鸣。
A small theater drama based on the premise of fully recognizing the stage “presumption ” is a profound transformation of the traditional stage art characterized by “imitation and the illusion of life ”. In this paper, from three aspects of “distortions and subversions of the scene, the fiction and the time and space”, “the exile and parody of the body, the image and the language”, “the dislocation and abstraction of the image, the mosaic and the stage” Contemporary small theater art to explore the focus of the issue has been carefully reviewed and rational reflection, with a view to the current development of theater plays to inspire and contend.