电影艺术更多的是依靠视觉形象来表达其内涵。编导的功力也往往在于:如何使视觉形象最好地表达人物内在的思想情感,《温柔的怜悯》之所以能荣膺奥斯卡金像奖,博得众多观众青睐,除它那特有的人性美外,看来与该片编导在以视觉形象传达人物情感方面所作的追求,也是有很大关系的。要做到“于无声中见深情”,就必须要求作为视觉形象的动作、事件能够表达人物的内在思想感情活动。我们有些国产片写了许多惊天动地之举,可就是不感人,就是因为这些动作、事件仅止于外在,没有联系人物的内在活动。《怜悯》的编导则很注意这点。为了表现女店主罗莎对昔日歌星、因嗜酒而离婚的麦克的关切和忧虑,编导没就采用令人乏味的解说和自言自语的旁白,而是仅以一个罗莎站在窗外忧郁地望着窗上醉汉身影的镜头来加以表现。而罗莎此时此刻的“无言的关注”又是和她内心既焦虑又无奈的复杂心理相一致的,正因如此,观众才从她那哀怨的眼神中看 Film art relies more on visual images to express its connotation. Director’s skill is also often: how to make the visual image of the best expression of people’s inner thoughts and emotions, “gentle compassion” was awarded the Oscars, won the favor of many viewers, in addition to its unique human nature, look There is also a lot to do with the pursuit of the film director in conveying the emotions of people through visual images. To achieve “deep affection in silence”, we must ask for the visual image of the action, the incident can express the person’s inner thoughts and feelings. Some of our domestic films have written many earth-shattering moves, but they are unforgiving. It is because of these movements that events are limited to externalities and there is no intrinsic activity of contact persons. The “mercy” director is very careful about this point. In order to show the concern and anxiety of the female owner Rosa on the old singers and Michael’s divorce due to alcoholism, the director did not adopt dumb commentary and narration, Looked at the window of the drunk figure of the lens to be performed. At the moment, Rosa’s “speechless concern” is consistent with the complex psychology of her anxiety and helplessness, and it is for this reason that the audience only looks from her sad eyes