陈洪武在:我的心目中,金伯兴是一位有历史担当的老一辈艺术家,他对当代书法,从创作到发展现状都十分关怀,他是以自己独特的审美和情怀来观照当代书法的。金伯兴的书法其实和他的为人一样:雄强、厚朴而又不失天真。他在传统的基调上吸纳了一种雄强的用笔方式,最具代表性的是其行书对联,简单的几个字,写得非常活泼,然而其中贯穿的是他的一种精神,他的人生阅历,他的笔墨追求,以及他对美的提炼和把握。我觉得这一点在他们那一代老书家中是很突出的。他不仅仅追摹雄强,也有雄秀的一面。他的魏碑书当中有一种柔美,我觉得他把江南的那种独特的韵姿,诗画般地揉到自己的书法当中了,因此别开生面。 Chen Hongwu: In my heart, Kimberly is an older generation of artists with historical responsibility. He is very concerned with contemporary calligraphy, from creation to development. He is contemplating contemporary calligraphy with his unique aesthetic feeling . Kimberly’s calligraphy is actually the same as his man: magnificent, Magnolia yet naive. He absorbed in the traditional tone of a powerful pen style, the most representative of his couplets, simple words, very vividly written, but which runs through his spirit, he His life experience, his pursuit of writing and writing, and his refining and grasping of beauty. I think this is very prominent in their generation of old calligraphers. He is not only chasing powerful, but also has a male side. His Weibei book which has a soft, I think he kind of Jiangnan unique rhyme, poetic and rubbed into their own calligraphy among them, so do not give birth.