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不知从什么时候起,“开幕式”成为一项活动成功与否至关重要的标志。大到奥运会,小到书画展,莫不如此。按说,这也无可非议,一个活动开幕了,特别是一个筹备已久、耗资不菲的活动终于开幕了,总该有一个相应的仪式,以便聚人气、造声势,也便于留下具有纪念意义一刻的影像资料。然而,大的我们姑且不说,就书画展而言,或许因为搞得太多太滥了,不少书画展开幕式越来越流于形式,越来越千篇一律,越来越失去实际意义,也越来越变得“纠结”了。
I do not know since when the “opening ceremony” has become a symbol of the success of an event or not. To the Olympic Games, small exhibition of paintings, none. According to saying, this is beyond reproach. An event was opened. In particular, a long-established and costly event was finally opened. There should always be a corresponding ceremony in order to make people feel good and create momentum for a memorable moment. Video information. However, let us not say big at a large scale. As far as the painting and calligraphy exhibition is concerned, the opening ceremony of many painting and calligraphy exhibitions may become more and more formalistic, more and more monotonous and lose their practical significance. More and more become “tangled”.