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威尔第一生创作了27部歌剧作品,在他众多作品中,多由戏剧女高音担任女主角,只有具备戏剧性演唱能力的女高音,才能把威尔第所塑造主人公的内心矛盾体现得淋漓尽致。特别是威尔第的晚期创作,有很多人认为他这一时期的歌剧创作在乐队编配上效仿瓦格纳,具有宏伟的音响效果,这样的乐队编配对女高音的演唱能力方面是巨大的考验。在威尔第的歌剧创作中花腔女高音这个声部的角色较少,只有四部歌剧是为其创作的,文章通过分析其中两个经典角色了解威尔第式的花腔女高音。
Verdi’s first creation of 27 operas, in many of his works, mostly by the play soprano as the heroine, only with the soprano ability to perform dramatic, in order to Verdi’s heroic heart contradictions can be embodied most vividly . In particular, Verdi’s later works, many people think that his opera creation in this period follow the Wagner band arrangement, with grand acoustics, such a band arrangement of soprano singing ability is a tremendous challenge. In Verdi’s opera creation, the soprano soprano, which has less of a role in the composition, has only four operas for its creation. The article analyzes Verdi-style soprano by analyzing two of the classic characters.