假定性在动画创作中无处不在,要赋予无生命的事物以灵魂,假定性就是动画创作者长久以来探寻的能力。但是假定性不是从天而降、泛泛而谈就能有的。创造充满想象的动画作品要深刻体会假定性的特征,将假定性运用到创作中。动画创作以新、奇为结果,这符合想象思维的特征。但新、奇必须在观众接受的范围内。换句话说,就是要让观众在明知是假定性虚构出的环境中仍然愿意去相信是真实的。这种假定中的真实感情就需要想象的可感性和非逻辑性特征来支撑。在动画中假定性不是科学的逻辑推理,是一种艺术活动。它源自于外部世界的积累,即便是离奇也是创作者对生活的感受,这样才能达到观众认可的逼真性。动画的魅力就在于运用假定性去构建另一种真实世界。 Hypotheses are ubiquitous in animatical creations. To give inanimate things to the soul, hypotheticality is the ability that animators have long sought. But suppositions do not come from heaven, they can be generalized. Create imaginative animation works to profoundly understand the hypothetical characteristics of the assumptions applied to the creation. Animation creation with new and odd results, which is consistent with the characteristics of imaginative thinking. But new and odd must be accepted by the audience. In other words, the audience is still willing to believe it is true in an environment where it is known to be hypothetical. True feelings in this assumption need to be supported by imaginative sensible and non-logical features. Assumptions in the animation is not a logical reasoning of science is an art activity. It comes from the accumulation of the outside world, even the bizarre is the creator’s feelings of life, so as to achieve the authenticity of the audience recognized. The charm of the animation lies in the use of presumption to build another real world.