走在这座城市的大街上,时不时会发现,这里今天出现了一座美术馆或书画院,那里明天多出了一个茶楼或电影院,内心里就感慨,文化真成了人们个性化私享的普及品。但看得多了,就难免生出一些疑问:为什么有形的文化设施搞得越来越高档奢华,而无形的文化品位和趣味却没有获得明显提升?为什么文化概念和口号一个接一个,而有价值的文化作品和有影响力的文化大师却出现得很少?为什么有关部门在文化产业上的投入越来越多,但收获总是寥寥?为什么我们在创造文化模式的同时,却总在有意无意地毁坏已经相对成熟的文化生态?别的不说,就说我们这座城市,前不久集中拆除街道两旁的报刊亭,本来就已经日趋萧条的书刊阅读,一下子变成文化沙漠;一段标明城市“古都”身份的商代古城墙,拆过来建过去,至今没 Walking in the streets of the city, from time to time will find that there is an art gallery or painting and calligraphy academy here, tomorrow there is a more tea house or movie theater, feeling inside, culture has become the popularity of people’s personal enjoyment Product But when you look at it, you will inevitably give birth to some doubts: why the tangible cultural facilities are getting more and more upscale and the invisible cultural tastes and tastes have not been significantly improved? Why are cultural concepts and slogans one after another and valuable? Cultural works and influential cultural masters have appeared very few? Why the relevant departments in the cultural industry more and more investment, but the harvest is always very small? Why do we in the creation of cultural patterns, but always consciously or unconsciously To destroy the already relatively mature cultural ecology? Else not to say, to say that our city, not long ago focused on the demolition of the streets on both sides of the newsstand, has been increasingly sluggish reading books, suddenly turned into a cultural desert; a marked city “Ancient capital ” identity of the ancient city wall, demolished to build the past, so far no