海德格尔认为艺术作品打开并保持大地与世界的争执,而艺术的本质是作为真理的开端的创建,是一种“原始争执”。这种争执将艺术推入历史之中,并使历史开始或又重新开始。因此,不仅艺术本身是历史性的,艺术的本源这一问题也是历史性,是不断生成着的。不同的历史语境对这一问题的解答也会不同,并且艺术需要这种开放的历史语境,因为艺术本就应是对惯性之存在的颠覆,是不断新生、不断生成着的。 Heidegger believes that the work of art opens and maintains the dispute between the earth and the world, and the essence of art is the creation of the beginning of truth as a kind of “original dispute.” This dispute pushed art into history and started or restarted history. Therefore, not only the art itself is historic, but also the issue of the origin of art, which is also historic and constantly generated. Different historical contexts will have different answers to this question, and art needs this open historical context because art should be subversive to the existence of inertia, constantly emerging and constantly generating.