《偷自行车的人》是意大利新现实主义电影流派的代表作之一,反传统反饥饿反战争的电影主旨运动,主张“还我普通人”、“把摄影机扛到大街上”的口号。采用非职业演员,反对故意虚构的剧情,运用电影镜头出其不意的捕捉生活。 “Stealing a Bicycle” is one of the representative works of the Italian neo-Realist film genre. The anti-traditional anti-hunger anti-war film theme movement advocates that “we should return ordinary people” and “bring the camera to the street”. slogan. Use of non-professional actors, against deliberately fictional plot, the use of cinematic camera unexpectedly capture life.