松有万相,各具风骨,悬垂状其险,端直状其伟,孤挺状其傲,丛生状其秀,表现形式十分丰富。所以中国古代画松名家如唐代张璪、后梁荆浩、宋代郭熙、元代王蒙、清代的石涛等,写松笔法虽然不同,却都能自成一家。张璪画松而引发的“外师造化,中得心源”之论,更是被历代的艺术家所服膺,成为中国画论中的千古玉律。以自然为师,结合内心感悟,然后才可创作出好的作品,画如是,盆景艺术亦然——既需要 Song has million, each with strongholds, the risk of hanging its shape, the end of its straight Wei, solitary its proud, clusters of its show, is very rich in form. Therefore, the ancient Chinese painting masters such as the Tang Dynasty Zhang Hao, Liang Jinghao Liang, the Song Dynasty Guo Xi, the Yuan Dynasty Wang Meng, the Qing Dynasty Shi Tao, writing pine method although different, but can be self-contained. Zhang 璪 draws loose and caused by “outside the good fortune, in the heart of source,” the theory, but also by the artists of the ages to serve, become the eternal law of Chinese painting. Taking nature as a teacher and combining inner feelings can we create good works. Painting is the same, art of bonsai - both