據現存文獻可知,至晚從宋代雕版印刷日益普及開始,文人在爲自己或他人編纂全集的過程中,大多會對已有的作品進行不同程度的修訂。一般説來,這類修訂工作至少包括兩個方面,一是篇目的選取,二是文字的潤色。在過往的研究中,學者的關注重點往往更多地集中在經過修訂的全集上,畢竟其中收録的作品相對完備,所呈現的面貌也相對完整,似乎已經可以充分地展示研究對象的創作歷程。但如果在探討相關問題時注意考察全集的修訂過程,就無 According to the extant literatures, from the day when the engraving printing became more and more popular in the Song Dynasty, the literati mostly revised existing works in varying degrees during the compilation of the complete works for themselves or others. Generally speaking, such revision work includes at least two aspects, one is the selection of articles and the other is the text polishing. In previous studies, scholars often focused more on the revised complete works. After all, the works included in them were relatively complete and presented relatively complete appearances, which seemed to have fully demonstrated the creative process of the research subjects . However, if we are going to examine the revision process of the corpus when discussing relevant issues, there will be none