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1949年7月“中华全国文学艺术工作者第一次代表大会”的召开标志着中国当代文学的肇始,新的文学机制开始确立。表现于文学创作领域,一个突出现象就是乡土世界文学人物画廊里那些迷茫、稚拙的“地之子”静静消失,乡土小说转变为农村题材小说。这转变经历了怎样的质素转换,删除了什么、增添了什么、保留了什么?这样的增删保留,又是以怎样的方式来表征?具体的创作、文本本身更能说明问题。在“十七年”文学中,有一篇小说《辛俊地》研究者关注
July 1949 “The All-China Literary and Art Workers’ First Congress” marked the beginning of Chinese contemporary literature, and a new literary mechanism started to be established. Performance in the field of literary creation, a prominent phenomenon is the confused and naive “son of the land ” in the local world literature and art galleries disappear quietly, the local novels into rural novels. What kind of quality change has been experienced in the transformation, what has been removed, what has been added, what has been retained, what has been retained and what kind of means has been added? The specific creation and the text itself can explain the problem. In “Seventeen Years ” literature, there is a novel “Xin Jundi” researchers attention