小说总是与经验和现实联系在一起的,这也就是为什么“小说”总会和“现实主义”相提并论,并可以互相代替的原因。然而,从上世纪90年代以后,随着一个多元化时代的到来,当代文学中的“现实主义”成了一个陈旧甚至是一个落伍的名词,取而代之的是铺天盖地的“私人化”写作浪潮以及一个又一个完全凭想象营构的文学世界。但是,作为一个从新文学伊始就与中国现实息息相关的创作方法,现实主义的传统不会也不可能在文学创作中被轻易忽视,深厚的积累和沉淀使现实主义有着顽强的 Novels are always associated with experience and reality, which is why “novels” and “realisms” are compared and can be replaced by each other. However, since the 1990s, with the advent of a pluralistic era, “realism” in contemporary literature has become an old or even outdated term, replaced by the overwhelming “privatization” The wave of writing, and the literary world that is constructed entirely by imagination. However, as a creative method that has been closely related to the reality of China from the beginning of new literature, the tradition of realism can not and can not be easily overlooked in literary creation. The profound accumulation and deposition have made realisticism tenacious