所谓“乡村实验影像”是我在西安美术学院从事摄影教学之前和之后拍摄制作的,时间跨度为两年。 从开始摄影的时候起,我就没有停止过对陕北人的拍摄。但那时最先的作法是竭力营造某种影像的“艺术”氛围,内心排斥故土的物质和文化贫瘠,反映 The so-called “Village Experimental Image” was produced before and after I was teaching photography at the Xi’an Academy of Fine Arts for a period of two years. Since the beginning of photography, I have not stopped shooting people in northern Shaanxi. However, the first practice at that time was to strive to create an “artistic” atmosphere of some kind of image. The exclusion of the material and cultural roots of the homeland was reflected in the heart