拍摄电影《青春之歌》的时代,是新中国文艺欣欣向荣的时代,参加影片拍摄的所有创作人员,视艺术为神圣,都不愿因本人或本部门工作的懈怠,给影片带来丝毫的损失。从1959年3月到9月,不到半年时间,完成了《青春之歌》上下两集故事影片,可见时风之正。 《青春之歌》停机不久,北影厂通知我和厂长汪洋,导演崔嵬、陈怀皑,摄影师聂晶,制片主任胡其明等同志一起前往中南海陪同周总理审看样片。 这是1959年9月的一天,浓荫覆盖下的中南海内,凉风习习。傍晚七时左右,当我们尚未到达以前,总理已站在阶前的瑟瑟秋风中等侯我们了。这是我第一次亲眼见到周总理。他身穿浅灰色中山装,没有戴帽子。总理目光明亮,真诚有力地和我们一一握手,总理是那样的仁慈、简朴,却又是那样的敏捷、深邃、风度翩翩。在那中南海秋天的傍晚,那于秋凉中屹立在阶前的伟大公仆的身影,如同一幅庄严古朴的油画,至今 Filming the film “Song of Youth” is a thriving era of new Chinese literature and art. All the creative staff participating in the filming are sacred to the arts. They are reluctant to give any loss to the film because of the slackening of their work or their work. . From March 1959 to September, less than half a year, completed the “Song of Youth,” the story of two episodes from top to bottom, we can see when the wind is positive. Shortly after the “Youth Song” shutdown, Beiying Chang informed me and Director Wang Yang, director Cui Wei, Chen Huai-Ai, photographer Nie Jing and producer director Hu Qiming and other comrades went to Zhongnanhai to accompany Premier Zhou to review the samples. This is a day in September 1959, under the shade of Zhongnanhai, breezy. Around seven o’clock in the evening, when we had not yet arrived, the Prime Minister was waiting for us in the autumn weather before the rank and file. This is the first time I have seen Premier Zhou. He was wearing a light gray tunic without a hat. The prime minister looks bright and handshakes with us in good faith. The prime minister is such a kind, simple, yet agile, profound and elegant man. In the evening of the autumn of Zhongnanhai, the magnificent public servant standing in front of the rank in autumn and cool was like a solemn and ancient oil painting