在民族音乐现代化的进程中,二胡作为中国民族器乐的代表,对于它的改革与发展一直是学界讨论的焦点问题。笔者认为,二胡的发展应本着中学为体、西学为用的态度,在立足二胡传统演奏方法的基础上,有目的 In the process of the modernization of national music, the erhu, as the representative of Chinese national instrumental music, has always been the focus of academic discussion for its reform and development. The author believes that the development of erhu should be based on the body as a body, the attitude of Western learning, based on the traditional method of playing erhu based on the purpose