理论与评论的贫困,着实影响中国摄影创作的成长。如果认真地将对镜自照做为诊断病情的思考,除在成长期封闭禁锢的先天不足,还有后来自家的医术不高,摸不透隐患症结。 “文革”大病过后,面对积重难返的摄影景象,中国摄影界能够提出的“忧患意识”说,饱浸着浓郁的意识形态习性。 The poverty of theory and commentary has really affected the growth of Chinese photographic creations. If carefully consider the mirror as the diagnosis of the disease, in addition to the inherent deficiencies in the confinement of growth, as well as later their own medical skills is not high, imperceptible hidden problems. After the serious illness of the “Cultural Revolution”, faced with the hard-to-come back photographic scene, the “sense of crisis” that the Chinese photography community can put forward is said to be full of rich ideological habits.