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明清小说的评点家,无不以艺术感受取胜。但是,艺术感受常常带有主观性,同一部作品里的同一个人物,在不同的评论家那里,可能会得到截然相反的两种评价。例如《金瓶梅》里的吴月娘和孟玉楼,张竹坡和文龙的评价就完全相反,简直是针锋相对。我们先看一下张竹坡对吴月娘的评价。一竹坡为何独罪月娘张竹坡最欣赏的是孟玉楼,最看不上的是吴月娘。月娘一出场,张竹坡一方面看出作者写吴月娘的顺从随和是“为下文能容众妾地步也”;另一方面,又
Critics of the novels of Ming and Qing dynasties, all with artistic experience to win. However, artistic feelings are often subjective, and the same person in the same work may have two diametrically opposed evaluations among different commentators. For example, “Wu Ping Niang” in Wu Jinniang and Meng Yu Lou, Zhang Zhupo and Wen Long’s evaluation on the exact opposite, is simply tit-for-tat. Let’s take a look at Zhang Zhupo Wu Yue Niang’s evaluation. Bamboo slips why a single confession Moon Bamboo is the most admired Meng Yu House, the most disappointing is Wu Yueiang. On the one hand, Musume appeared, Zhang Zhu Po on the one hand to see the author write Wu Yue Niang’s obedience easy-going is “for the following to allow concubine step also ”; On the other hand,