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(一) 1953年斯大林逝世之后,苏联领导对自己的外交、文化等政策作了许多重要调整,与西方僵持关系的解冻,以及随之而来的文化交流,对历史问题的重新评定,等等,使苏联文化艺术界的形势起了变化。原先那种统一在社会主义现实主义旗帜下的整齐步伐受到爵士散拍乐、十二音技法、尤其是斯特拉文斯基的种种创作实验等西方现代流派的诱惑而乱了阵脚。如今作曲家的阵营已经一分为三:紧跟西方的激进派和仍然按照自己已经熟悉的技法写作的传
(1) After the death of Stalin in 1953, the Soviet leaders made many important adjustments to their diplomatic and cultural policies, the thaw in the stalemate with the West, and the consequent cultural exchanges, the re-assessment of historical issues, etc. , So that the situation in the Soviet Union culture and art has changed. The unification under the banner of socialist realism was jumbled by the temptations of the modern Western schools of genre such as jazz slapjacking, the technique of the second syllable, and especially the creative experiments of Stravinsky. Now the composer’s camp has been split into three parts: follow the Western radicals and still follow the techniques they already know