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嵇康的音乐美学思想在我国的音乐史上占有重要的地位。它既有对道教音乐思想的发展,又有对儒家音乐思想的肯定。本文将主要介绍嵇康对精神自由的追求及在魏晋玄学背景下“声无哀乐”音乐思想的形成。
Ji Kang’s music aesthetics thought occupies an important position in the history of our country’s music. It not only has the development of Taoist music thoughts, but also affirmed the Confucian music thoughts. This article will mainly introduce Ji Kang’s pursuit of spiritual freedom and the formation of musical ideas of “Music without sorrow and sorrow” in the context of Metaphysics in Wei and Jin Dynasties.