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当前学界对中国“百年美学反思”热方兴未艾,本文在百年美学分期诸论基础上,纵向描述了百年美学权力话语的演进:境界说/文学界革命——思想启蒙/美育——(朱光潜)价值论美学/(蔡仪)反映论美学——(美的)主观/ 客观——主体性/实践美学,直至现今的多元取向里,又出现实践与生命美学之争/审美与文化之合的焦点。而且,在关于百年美学基本矛盾的各种观点之上,认为“主体性”的嬗变构成了百年美学发展的内在逻辑,它从上半世纪的“启蒙主体性”出发,发展到建国后“社会主体性”的归于一统,直至“实践主体性”批判继承前两者而渐居主流,但而今又受到生命美学主体性的置疑与消解。
The current academic circles are in the ascendant about the “Centennial Aesthetic Reflection” in China. Based on the centuries of aesthetic staging, this paper describes the evolution of the centennial aesthetic discourse: Realm Theory / Literary Revolution - Value of Enlightenment / Aesthetic Education (Zhu Guangqian) On Aesthetics / (Tsai-Yi) Reflective Aesthetics - (Aesthetic) Subjectivity / Objectivity - Subjectivity / Practical Aesthetics. Up to the present pluralistic orientation, there emerges the focus of the struggle between practice and life aesthetics / the combination of aesthetics and culture. Moreover, on the various views on the basic contradiction of centennial aesthetics, it is considered that the evolution of “subjectivity” constitutes the intrinsic logic of the development of centennial aesthetics. From the “enlightening subjectivity” in the first half of the century, it has developed to “social Subjectivity ”until the“ practical subjectivity ”critically inherited the first two and prevailed, but now it is also questioned and resolved by the subjectivity of life aesthetics.