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关于“善写”与“善鉴”之说在古代书论《笔阵图》中已有过描述,虽作者有卫夫人、王羲之及六朝人伪托等说法,但其学术价值从未受此影响。如何理解二者含义及其关系,同时将其放置于清代乾嘉时期碑学思潮中,以“善写”的邓石如和“善鉴”的翁方纲为主要研究对象,分析二者书学的共性和个性。认清在清初考据学的带动下,翁方纲在帖学与碑学转换过程中的角色扮演(金石学家)和邓石如对碑学运动的全面实践和主张(碑学大师),都对清代书法发展乃至当代书坛都有其重要的作用和影响。
The theory of “good writing” and “good reference” has been described in the “Pen and Tutu” of ancient calligraphy theory. Although the author has Mrs. Wei, Wang Xizhi and the Six Dynasties, Not affected by this. How to understand the two meanings and their relations, at the same time put it in the thought of Confucianism in Qianlong and Jiaqing period of Qing dynasty, taking Deng Shiru ’s “Good Writing ” and Weng Fang Gang “Good Kam ” as the main research objects, The generality and individuality of book study. Recognizing clearly that in the early Qing Dynasty, based on the textual research, Weng Fanggang’s role-playing (Stone Sculptor) and Deng Shiru’s practice and proposition (the master of inscriptions) Calligraphy development and even the contemporary book has its important role and influence.