一提起木雕艺术,我们就会马上在脑海里显现出那些栩栩如生、雕工精湛的达摩、关公以及祥枝瑞兽形象。木雕艺术大多是我们再熟悉不过的工艺美术作品和家居装饰品,时下很少有人将其与当代艺术抑或新锐美术创作结合在一起谈论,也鲜有人在文化创造和生活经验的基调中去探讨木雕。这种现象的出现是有因可循的:其一,往往越是传统的工艺形式和艺术门类越会因为创作者对于经验性和材料既定表现效果的迷恋而丧失了对其改造和 As soon as we mention the art of wood carving, we immediately show in our mind those vivid and carved images of Dharma, Guan Gong and Cheung Chih-bei. Most of the woodcarving arts are familiar arts and crafts and home decorations, and few people nowadays talk about contemporary art or cutting-edge art creation. Few people talk about woodcarving in the keynote of cultural creation and life experience . The appearance of this phenomenon is due to the following reasons. First, the more traditional forms and art categories tend to be, the more they are lost due to their infatuation with the empirical and material effects