中国书法的发展在二十世纪前期进入了转型期。随着西方学术文化传人,建构现代艺术学科成为中国传统教育转型的一部分。但在这一过程中,书法并未获得应有的位置,将书法纳入现代艺术学科体系显著位置的事业长期被搁置,书法由此处于一种尴尬的边缘化处境。但二十世纪前期并非书法史上的荒芜时代。从书法创作方面来说,碑学书风盛于晚清,成于民国,一大批以倡导碑学并有深入实践的书家,如康有为、沈曾植、 The development of Chinese calligraphy entered a period of transition in the early twentieth century. With the succession of western academic culture, the construction of modern art has become a part of the transformation of Chinese traditional education. However, in this process, calligraphy has not got its right place. The cause of incorporating calligraphy into the prominent position of the modern art system has been shelved for a long time, so calligraphy is in an awkward situation of marginalization. But the early twentieth century was not a barren era in the history of calligraphy. From the aspect of calligraphy creation, the inscriptions and books flourished in the late Qing Dynasty and became a Republic of China. A large number of calligraphers who advocated the study of inscriptions and practiced in depth, such as Kang Youwei, Shen Zengzhi,