国内外把少数民族的历史、文化、人文、风情等纳入画家的创作视野由来已久。新中国成立以来的半个多世纪,在整个西部地区的绘画艺术创作历程中,少数民族题材一直是最为重要的文化构成因素。高校美术教育与实践创作更应该充分利用好少数民族文化资源,传承保护好少数民族文化的同时,把它发扬光大。 The history of ethnic minorities at home and abroad, culture, humanities, customs, etc. into the painter’s creative vision for a long time. For more than half a century since the founding of New China, the theme of ethnic minorities has been the most important cultural component in the history of painting throughout the western region. Higher art education and practice should make full use of cultural resources of ethnic minorities, inheritance and protection of minority cultures at the same time, carry it forward.