张诠的水墨作品有着自我标识性很强的艺术语言范式,语义丰厚、能指寥廓。这种共同的艺术语言特质,源于他不曾为观念的表达而忽视架上绘画对视觉性生成的严格要求,也不为迎合肤浅的所谓“大众精神”即当代艺术必须介入社会的圈内“时尚”而放弃自己的精英立场。作为当代艺术家,为寻求水墨艺术的新的可能性,他以饱满的热情投入新水墨语言方式的实验、建构与 Zhang Quan’s ink works have a very self-marked artistic language paradigm, rich in semantics, and can mean bounds. This common artistic linguistic quality originates from the fact that he never neglected the strict requirements for the visual generation of the paintings on the shelf for the expression of ideas and did not meet the superficial so-called “mass spirit” that the contemporary art must intervene in the society Within “fashion” and give up their elite position. As a contemporary artist, in order to seek a new possibility of ink-and-wash art, he devoted himself into the experiment of new ink and wash language with full enthusiasm,