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对于笔墨的争论已经持续了相当多年。旧文人画的一大特点就是以严格的笔墨程式化语言作为绘画的基本表现手段,对任何客体的表现都必须遵循这种笔墨程式。也即是说,“对画面艺术效果的判定首先是基于与‘艺术传统’的关系,而不是与客观自然的关系。”1因此这样的系统具有着非常明显的封闭性,表现为对传统的依赖以及对创新的排斥。因此中国文人
The controversy over ink and ink has lasted for quite some years. One of the major features of the old literati painting is that it uses the strict stylized language of ink and brush as the basic means of painting, and it must follow this style of writing for the performance of any object. That is to say, “the judgment on the artistic effect of the picture is firstly based on the relation with the” artistic tradition “rather than the relation with the objective and natural.” 1 Therefore, such a system has a very obvious closedness, Dependency and exclusion of innovation. Therefore, Chinese literati