王奔腾先生原名王树华,号休翁,是岭东一位具有哲人秉赋和诗人气质的现代山水画家。 从五十年代后期到六十年代初期,王先生的创作发生了一个明显的变化。这种变化的迹象是:创作的重点逐渐转向了山水画的领域。由于众所周知的复杂的历史原因,我们现在所看到的作品已经是寥寥无几了。《暮烟》(1959年)画的是暮色笼罩着的荒山野岭:一层薄纱般的雾气缭绕飘荡于山腰之间,景象十分混茫;然而,白烟起处,勘探队的帐篷隐约可见,这便成为我们捕捉画意的一条线索:画家向往勘探队员那种艰苦创业的火热生活,却又不得不为自己发出空封日月、功业难就之喟叹。在《秋山落霞》(1963年)中,我们看到耀眼的荭霞在山峦丛树的背后燃烧得通红:霜叶一片,如火如茶,构成了“霜叶红于染,峰峰浴落霞”的境界。画家用 Wang Pentium formerly known as Wang Shuhua, No. Hushou, Lingdong is a philosopher Bing Fu and poet temperament of the modern landscape painter. From the late fifties to the early 1960s, there was a clear change in Wang’s writing. The sign of this change is that the focus of creation has gradually shifted to the field of landscape painting. Due to the well-known and complicated historical reasons, there are only a few works we now see. “Twilight Smoke” (1959) depicts a barren mountain ridge shrouded in the twilight sky: a gauzy mist winds around the mountainside with a very confused landscape; however, the white smoke starts off and the prospect’s tent is vague It can be seen that this has become a clue to our imagination: the painter aspires to a pioneering and arduous career as a fiery life, but has no choice but to send out blank envelopes for his own career. In “Akiyama Falls” (1963), we saw dazzling shades of red burning in the backs of mountainous trees: the frosty leaves are like fire and make up the “ Falling clouds ”realm. Painter use