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王靖宇将《左传》纳入“叙事文”的研究领域,史书性质和史官职责却在“中国早期叙事文”的分析解读中缺失,以致在《左传》的意义和人物的理解上,与中国文化产生了隔膜。王靖宇提出的“音乐式”阅读法,与传统的评点学判然分野,不能融通。《左传》音乐式的阅读方法在清人盛于野的《于野左氏录》中有绝佳体现,且与篇章结构的赏析紧密结合。
Wang Jingyu included “Zuo Zhuan” in the research field of “narrative essay”. The nature of history books and official duties were absent in the analysis and interpretation of “Early Chinese Narrative Essays”, so that in the meaning and character understanding of Zuo Zhuan, Chinese culture produced a diaphragm. Wang Jingyu put forward the “music-style” reading method, judging from the traditional critics of distinction, can not be integrated. Zuo Zhuan’s music-style reading method is well illustrated in Qing Dynasty’s Wild Zuo Zu Lu, and is closely integrated with the appreciation of the text structure.