万达广场式的消费式地标已成为当代中国城市的标配。《大盛世》以诸多浮华巧饰却频频错位、缺少诗性的场景,对时下的消费主义文化提出批评、质疑和讽刺,提示了摄影的文化责任,也表现了一名青年摄影师的锐气。——王保国2014年6月,我高中毕业,同一时间,在我的家乡山东济宁市,第一座万达广场隆重开业。这场开业引爆了市民的消费热潮,40万日均客流量和1200万的营业额创下了万达开业历史的最高纪录。而除了这些宏大的消费业绩,开业现场的人群行为更加刺中我:一群人冲进商场抢购一箱箱卫 Wanda Square-style consumer landmark has become the standard of contemporary Chinese cities. The “grand life” with many flashy clever but frequently dislocation, the lack of poetic scenes, the current consumerism culture criticism, questioning and irony, suggesting the cultural responsibility of photography, but also demonstrated the spirit of a young photographer. - Wang Bao Guo In June 2014, I graduated from high school, at the same time, in my hometown of Jining, Shandong, the first grand opening of Wanda Plaza. The opening detonated the consumer boom, 400,000 daily average passenger traffic and 12 million turnover set a record high Wanda opened history. In addition to these ambitious consumer performance, the opening scene of the crowd more stabbed me: a group of people rushed into the mall to buy a box of boxes Wei