论文部分内容阅读
中国文艺理论有一个重要观点就是——文无定法。如果把它假借给电影,按道理也应该成立,那就是电影的拍摄手法没有一定之规,电影的风格类型也没有绝对的概念。所以电影可以是戏剧性冲突极其浓烈,剑拔弩张,场面壮观,叙事宏大;电影也可以是小桥流水,小情小调,极尽诗意烂漫,充斥着清淡、雅致的艺术知性感觉;电影还可以是重重地讽刺,嘲弄一把,而且往往歪着来,也就是黑色幽默,把事实通过非常态的方式加以表现;电影还可以是完全临摹生活,将生活中的本真状态经过一定的处理就搬上银幕……王全安导演的《惊蛰》就是这样一部状态电影。它没有多少批判的锋芒,它也没有多少悲切、沉重的主题诉求,也没有多少理性的哲学探究,它就不过是将一个农村女孩生命历程中某一个阶段的生存状态通过电影化
An Important Viewpoint of Chinese Literary Theory Is - Literary No Law. If you lend it to the movie, the truth should also be established, that is, there are no rules filming techniques, the film’s genre does not have an absolute concept. Therefore, the film can be a dramatic conflict is extremely intense, tense, scene spectacular, grand narrative; film can also be bridges, small allegorical, extremely poetic, full of light, elegant artistic intellectual feeling; film can also be heavy Satirical, ridiculed, and often crooked, that is, black humor, the fact that through the abnormal way to be expressed; the movie can also be a complete copy of life, the true state of life through some processing to screen ...... Wang Quanan director of “Jingzhe” is such a state movie. It does not have much criticism, nor does it have much grief and heavy theme appeal nor much rational philosophical inquiry. It merely makes the living conditions of a certain stage of the life of a rural girl through the process of filming