一、“假定性”的几种表现形式“假定性”只不过是一种表现手法,它是为了能够更自由、更灵活地展现多种多样的戏剧外部环境和戏剧时空,以求达到最佳的戏剧效果而已。中国戏剧的改革者和创新者们之所以要突破写实主义演剧观,并不能简单地将其归结为赶时髦或是迎潮流,而是应理解为要改变戏剧以往那种片面地封闭在物质环境中的时空概念。在这种突破或创新当中,他们也不是一概 First, the “presumptive” of several forms of expression “presumption” is only a manifestation of it is to be able to more freely and more flexibly to show a wide range of theater external environment and theater space and time, in order to achieve the best The dramatic effect of it. The reason why the reformers and innovators of Chinese drama must break the realistic view of the realist and can not simply be attributed to the fashionable or trend-setting trend is to understand that the one-sided closure of the theater to the material environment In the concept of time and space. They are not the same in this breakthrough or innovation