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汪曾祺以淡泊的心态和旷达的处世态度,以“自然”“平易”“简淡”的语言形式,创造了含有“不尽之韵”“无尽之意”的冲淡美,其小说语言体现了中华美学的民族特色,这种特色的形成与他追求“和谐之美”“中和之美”“淡泊之美”是分不开的,它承继了周作人、沈从文、废名等京派作家“平淡”的语言风格。汪曾祺小说语言“平淡”风格连接了“五四”文学和当代文学,与此同时,也延续了老子、庄子、司图空、欧阳修、梅尧臣、苏轼、李东阳、王夫之、姚鼐等人的以“平淡自然”为宗旨的文学理念,具有独特的文学史意义。
Wang Zengqi with indifferent attitude and broad-minded attitude toward the world, with “natural ” “plain ” “light ” language form, has created contains “endless charm” “endless meaning The fading language of the novel reflects the national characteristics of Chinese aesthetics. The formation of this feature is inseparable from the pursuit of ”beauty of harmony “ ”beauty of indifference “ Zhou Zuoren, Shen Congwen, Fei Ming and other Beijing school writers ”dull “ language style. Wang Zengqi’s novel ”dull “ style connected with the May 4th literature and contemporary literature. At the same time, Wang Zengqi also continued Laozi, Zhuangzi, Studecong, Ouyang Xiu, Mei Yaochen, Su Shi, Li Dongyang, Wang Fuzhi and Yao鼐 and others to ”plain nature " for the purpose of the literary concept, has a unique historical significance.