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作为当下中国文化的典型文本,影片《金陵十三钗》中各种看与被看的视线建构了复杂的主体与他者的关系、隐喻了西方与东方之间的凝视与想象。本文梳理了影片《金陵十三钗》的各种视点镜头,并作了细分:女性之间的看与被看、男女之间的看与被看、西方与东方之间的看与被看;并指出在全球化的语境下,南京屠城影像与西方视角之间的凝视与想象,几乎成为这一题材影片的惯例。
As the typical text of contemporary Chinese culture, the various lines of sight and seen in the film “The 13 Girls of Jinling” construct the relationship between the complicated subject and the other and metaphor the gaze and imagination between the West and the East. This article sorts out various viewpoints of the film “The 13 Girls of Jinling” and subdivides them into three parts: the look and the view between women, the look and the view between men and women, the look and the view between the West and the East ; And pointed out that in the context of globalization, the gaze and imagination between the Nanjing massacre and western perspectives have almost become the convention of this theme film.