在云南省博物馆的书画藏品中,有一些明清之际的作品,用传统技法表现了当时西南民族的风俗,如反映明代云贵地区苗族节日歌舞斗牛盛况的《斗牛图》,清代苗族的《百苗全图》、《百蛮图》,傣族的《写经图》、《骑象图》,彝族的《踏歌图》,哈尼族的《采茶图》,以及《清代少数民族风俗画屏》、《开化府图说》、《普洱府图说》等等。这些图画均采用国画手法,设色水墨,技法粗犷,刻画出当时部分民族地区的风俗、民情及各阶层中不同的社会状况。这类作品不仅对研究少数民族的历史风貌颇有价值,而且有助于了解清末云南美术 Among the calligraphy and painting collections of the Yunnan Provincial Museum, there are some works during the Ming and Qing dynasties that used the traditional techniques to represent the customs of the southwestern ethnic minorities of the time. For example, the “bullfighting chart” reflecting the grand occasion of the festival song and dance of Miao ethnic groups in the Ming and Qing dynasties, A hundred map “,” Bai Mantu “, Dai” write through the map “,” ride the elephant map “, Yi” Tage song map “, Hani” tea picking map “, and” Qing Dynasty ethnic customs screen “,” Kaihua government plans to say “,” Pu’er government plans to say "and so on. These pictures are based on the techniques of Chinese painting. They are based on the techniques of color painting and ink painting. Their techniques are rough and portray the customs, sentiment and social conditions of different ethnic groups in some ethnic areas. Such works are not only valuable for studying the historical features of ethnic minorities, but also help to understand Yunnan Fine Arts in the late Qing Dynasty