陆川的每一部作品似乎都会激起了观众的两极评论,注定要引起极大的关注,虽然目前只有四部电影问世。可是每一部都引起潮水般的争议,这是一个不同寻常的现象,也表明陆川有着自己的坚持。与第六代的其他导演相比,“他更专注于体制内的艺术表达,专注于做一种体制内的新主流电影”1,正如他的硕士毕业论文《体制中的作者:新好莱坞背景下的科波拉研究》标题所指,“体制内的作者”也成为了 Every piece of Lu Chuan’s work seems to have aroused the audience’s bipolar comments, destined to arouse great attention, although there are only four films available. But each one has caused a flood of controversy, which is an unusual phenomenon, but also shows that Lu Chuan has its own insistence. Compared with the other directors of the sixth generation, “he was more focused on artistic expression within the system, focus on doing the new mainstream movie within a system ” 1, just as his master’s thesis “regime author: New Coppola Research in the Background of Hollywood ”, the author within the“ system ”has also become