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今存黄庭坚诗集中,大量诗歌被题为“戏呈”“戏赠”“戏和”“戏答”“戏咏”“戏题”“戏效”等,这一类在诗题中,或是在诗歌的副题、别题、题后小序中标有“戏”字的诗歌可以统称为“戏题诗”。“戏题”姿态与“言志”“缘情”的古典诗歌传统有所背离,因而一向不受重视,但却在黄庭坚的诗学观念中具有独特的诗学意义。本文试图从观照方式及抒情姿态的改变、诗歌艺术手法的实验两方面入手,探讨黄庭坚“戏题诗”的写作特点,并对“戏题”这一特殊写作方式在诗学变革中的意义予以申发。
This book contains a large number of poems by Huang Tingjian, a large number of poems were entitled “play was” “gift” “drama and ” “drama This kind of poems can be collectively referred to as ”opera poem “ in the poem, or in poetry sub-title, no problem, the title of the title after the title. His ”poesy“ attitude deviates from the classical poetic tradition of ”“ ”“ ”“ ”sentiment “, and therefore has not been valued seriously, but it has unique poetic significance in Huang Tingjian ’s poetic concept. This paper tries to discuss the writing characteristics of Huang Ting-jian’s ”Theatrical Poems" from the change of the observation mode and lyrical gesture, the experiment of the poetic artistry, In the meaning of the application.