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本文以李唐南渡为线索,探讨南宋时大斧劈皴横空出世的审美意义,以及对以马远、夏圭为代表的“边角之景”的成因及其诗意化审美内涵的再认识,从而全面地揭示南宋山水画独特的审美特征。
This paper takes Li Tang Nandu as a clue to discuss the aesthetic significance of the axioperation in the Southern Song Dynasty, and the causes of the “corner scene” represented by Ma Yuan and Xia Gui and its poetic aesthetic connotation Understanding, so as to fully reveal the unique aesthetic characteristics of landscape paintings in the Southern Song Dynasty.