“折纸”既对应于人类对外在世界虚拟再现的手工传统,又对应于人类认识外在世界分析思辨的历史方式,同时又是80、90后快乐的童年记忆。郭剑作为艾米李画廊本年度隆重推出的青年艺术家,携带自己从2011年至今创作的近20件折纸系列架上绘画作品为观众呈现了一个拼贴、重组后“仿真”的怪陆离的后现代社会缩影。郭 “Origami” corresponds not only to the manual tradition of human being’s virtual reproduction in the outside world, but also to the historical way of analyzing and thinking of the outside world in mankind, as well as to the happy childhood memories of 1980 and 1990. As a young artist who was grandly launched this year by Amy Lee Gallery, Guo Jian brought a collection of nearly 20 pieces of origami paintings on his shelf to create a collage for the audience. Since the reorganization, the “bizarre” Postmodern society microcosm. Guo