《中国画画刊》第三期要介绍现当代中国花鸟画,像前两期介绍中国人物画、中国山水画那样,要有一个特刊的导言,发刊前,嘱我作文。宏观、理性的思想和历史性的梳理原本是属于美术史专家、艺术批评家的工作,但因为《中国画画刊》是浙江画院主办的刊物,身为画院一员,也就没有理由推辞了。作为画家,我更多地着眼于创作 The third issue of Chinese Painting and Calligraphy is to introduce modern and contemporary Chinese bird and flower painting. Just like the introduction of Chinese figure painting and Chinese landscape painting in the previous two installments, there should be an introduction to the special issue. The macroscopical, rational thinking and historical combing originally belonged to art historians and art critics. However, as the “Chinese Painting and Calligraphy” was a publication sponsored by Zhejiang Art Academy, as a member of the Art Academy, there was no reason to refuse. As an artist, I focus more on creativity