熊基权之书法,得唐宋遗韵,出秦汉古风,学从张裕钊南宫碑、腾王阁序入手,再习其书信手札,兼学“二王”及欧阳询,旁涉篆隶,后攻魏碑。其书法代表作,基于张裕钊体势笔意,融会“二王”行草风韵,再参魏碑筋骨,自成一格,风神独异,可谓真、草、隶、篆四体皆备,在大气磅礴的基础上刚柔并济,力求内涵。那外秀内刚的风骨,那清丽典雅的流韵,那醇浓厚重的书卷味,仿佛是幽谷摇曳多姿的兰花,抑或是华贵 Bears the foundation of the calligraphy, the Tang and Song dynasties rhyme, out of the Qin and Han dynasties, learn from Zhang Yuzhao Palace monument, Teng Wang order to start, and then learn the letter Letters, and learn “two kings ” and Ouyang inquiry, Wei monument. Its calligraphy masterpiece, based on Zhang Yuzhao physical gestures, the integration of “two kings” line of grass charm, and then refer Wei monument bones, a piece of itself, the wind god unique, indeed, grass, scribe, seal all four bodies are prepared, in the magnificent Based on the rigid and flexible, and strive to connotation. That style is just the internal strength of the show, that elegant and elegant Qing Yun, the thick book thick alcohol smell, like a valley swaying orchids, or luxury