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明朝以来传奇创作如梁辰鱼《浣纱记》和王世贞《鸣凤记》为后代的传奇发展开辟了新天地,以历史为题材的戏剧异军突起。康熙三十八年六月,孔尚任的《桃花扇》问世,相比之前的历史剧,它的史剧意识有很大的发展。一(一)信史创作:《桃花扇》不是孔尚任凭空杜撰,而是尊重史实。沈默在《桃花扇》跋语中说道:“大凡传奇皆注意于风月,而起波于军兵离乱。唯《桃花扇》乃先痛恨于山河迁变,而借波折于侯、李。”《桃花扇》传奇,共44出戏,直接描写
Since the Ming Dynasty legendary creation such as Liang Chenyu “W Huanzha Ji” and Wang Shizhen “Ming Feng Ji” for future generations of legendary development opened up a new world, the drama of the sudden emergence of the theme of history. In June thirty-eight years of Kangxi, Kong Shangren’s “Peach Blossom Fan” came out, compared to the previous historical drama, its great awareness of historical drama has developed. One (a) of the creations of the history of the letter: “Peach Blossom Fan” Kong Kong is not empty-handed rhetoric, but respect historical facts. Silence in the “peach fan” Postscript language said: “In general, all legends are concerned with the romantic, and the ups and downs in the military disorganized.” Peach Blossom Fan “is the first to hate the mountains and rivers to change, and by the twists and turns in the Hou, Lee. ”Peach Blossom" legend, a total of 44 drama, direct description