随着近些年歌剧《图兰朵》在国内的不断升温,这个外国人臆想的中国传说在其“源头”受到了褒贬不一的评价,而上世纪90年代魏明伦据此改编的川剧《杜兰朵》则让中国评论界统一地认为代表了中国传统文化。所以本文着重从歌剧和川剧版本的结局入手,来分析其中体现出来的中西方文化差异及其成因,同时往常一直被人们忽略的西方文化对川剧《杜兰朵》的影响,在本文也会加以探讨。 With the rising popularity of the opera “Turandot” in China in recent years, the legendary Chinese legend of this foreigner has been appraised in different ways by the “source” of the opera, while the adaptation of Sichuan Opera by Weiming Lun in the 1990s Turandot led Chinese critics to unify and represent the traditional Chinese culture. Therefore, this article focuses on the opera and Sichuan Opera version of the outcome of the start to analyze the cultural differences between China and the West and its causes, while the often overlooked Western culture on the Sichuan opera “Durant”, this article will be Discussion.