诺贝尔奖金获得者大江健三郎在小说《死者的奢华》中以审美的态度描写尸体。尽管他企图像欣赏一块石头或一朵花那样冷静地观察尸体,但他的语言中仍然放射出生者面时死者时所特有的感伤而温暖的情绪。尸体在他的笔下被诗化了,仿佛它们比人间最美的花朵还美。无论这些死者在生前过着多么枯燥无味的生活,现在他们都享受着生者所无法拥有的奢华。有时候我甚至会想,如果这些尸体在 Nobel Prize winner Kenzaburo Oejima describes the body in a beautiful manner in the novel The Luxury of the Dead. Although he sought to observe the body calmly as a stone or a flower, his language still radiates the sentimental and warm emotions unique to the beholder as he died. The bodies were poetic in his writing, as if they were more beautiful than the most beautiful flowers in the world. No matter how boring life these dead lived during their lifetime, now they all enjoy the extravagance that the living person can not have. Sometimes I even wonder if these bodies are there