在二十世纪中国文学史上,女作家们所关注的题材大多是恋爱、婚姻与家庭。从五四时代的冰心、庐隐到四十年代的苏青、张爱玲,到八十年代的张洁、张辛欣、王安忆,再到九十年代涌现出的“七十年代后”女作家,婚恋题材在女作家们的笔下得到了反复的抒写。对于这个永恒的文学主题,不同的作家自有不同的处理。令人感兴趣的是,尽管相隔大半个世纪,我们却可以在张爱玲和年轻女作家魏微的作品中发现相似的风景,这似乎证明了人性的 In the history of Chinese literature in the twentieth century, women writers mostly focused on love, marriage and family. From Bingxin in the May 4th Movement, Lu Yin to Su Qing and Zhang Ailing in the 1940s to Zhang Jie, Zhang Xinxin and Wang Anyi in the 1980s, and then to the female writers and post-1970s writers who emerged in the 1990s. In the writings of female writers have been repeatedly described. Different writers deal with each other differently for this eternal literary theme. It is interesting to note that although nearly half a century apart we can find similar landscapes in the works of Eileen Chang and the young writer Wei Wei, it seems to prove that human nature